Angelina Jolie Tattoo Meanings

Tattoo Location	Tattoo Pics	Angelina Jolie Tattoo Meanings
Lower back		Angelina Jolie got this tattoo in Bangkok, where she spent two hours having the tattoo done. The tattoo was blessed by the tattoo artist (Sompong Kanphai) who chanted an ancient hymn while doing it. Angelina said that she felt that her life had been filled with luck after she received the first tattoo from him.
Inside right Forearm		This tattoo is a design that means "Strength of Will." This tattoo covered up a tattoo she had gotten along with ex-husband Billy Bob Thornton.
Left shoulder blade		A Magical Pali incantation written in Khmer, the native language of Cambodia. She got this tattoo to protect she and Maddox, her son, from bad luck and avoid accidents. It reads: May your enemies run far away from you. If you acquire riches, may they remain yours always. Your beauty will be that of Apsara. (a celestial dancer in Khmer mythology) Wherever you may go, many will attend, serve and protect you, surrounding you on all sides.
Inside left forearm		This tattoo of the numeral 13 is to indicate that Angelina Jolie does not believe in superstitions.
Back of neck		Her "know your rights" tattoo is believed to be some type of political statement

there's still many more : http://www.eyeballson.com/angelina_jolie/angelinajolietattoos.htm

Put on your Sunday clothes

[Cornelius:]
Out there
There's a world outside of Yonkers
Way out there beyond this hick town, Barnaby
There's a slick town, Barnaby
Out there
Full of shine and full of sparkle
Close your eyes and see it glisten, Barnaby
Listen, Barnaby...
Put on your Sunday clothes,
There's lots of world out there
Get out the brillantine and dime cigars
We're gonna find adventure in the evening air
Girls in white in a perfumed night
Where the lights are bright as the stars!
Put on your Sunday clothes, we're gonna ride through town
In one of those new horsedrawn open cars
[Cornelius & Barnaby:]
We'll see the shows at Delmonicos
And we'll close the town in a whirl
And we won't come until we've kissed a girl!

[Dolly:]
Put on your Sunday clothes when you feel down and out
Strut down the street and have your picture took
Dressed like a dream your spirits seem to turn about
That Sunday shine is a certain sign
That you feel as fine as you look!

Dolly & Ambrose:
Beneath your parasol, the world is all a smile
That makes you feel brand new down to your toes

[Dolly, Ambrose, Cornelius, & Barnaby:]
Get out your feathers, your patent leathers
Your beads and buckles and bows
For there's no blue Monday in your Sunday...
No Monday in your Sunday...
No Monday in your Sunday clothes!

[Townspeople, All:]
Put on your Sunday clothes when you feel down and out
Strut down the street and have your picture took

[Dolly, Townspeople, All:]
Dressed like a dream your spirits seem to turn about
That Sunday shine is a certain sign
That you feel as fine as you look!
[Women:]
Beneath your parasol, the world is all a smile
[All:]
That makes you feel brand new down to your toes
Get out your feathers
Your patent leathers
Your beads and buckles and bows
For there's no blue Monday in your Sunday clothes!

[Dance interlude]

[Children:]
Put on your Sunday clothes when you feel down and out
Strut down the street and have your picture took

[Women:]
Dressed like a dream your spirits seem to turn about

[Townspeople, All:]
That Sunday shine is a certain sign
That you feel as fine as you look!
Beneath your bowler brim the world's a simple song
A lovely lilt that makes you tilt your nose
Get out your slickers, your flannel knickers
Your red suspenders and hose
For there's no blue Monday in your Sunday clothes!

[Dolly:]
Ermengarde keep smiling no man wants some little meaning!
Ambrose do a turn, let me see!
Mr.Hackl, Mr.Tucker don't forget Irene and Minnie,
Just forget you ever heard a word from me!
All Aboard!

[Townspeople:]
All Aboard!

[Dolly:]
All Aboard!

[Townspeople:]
All Aboard!

[Dolly:]
Aboaaaaaaaaaaaaaaaaaaaaard!

[All:]
All Aboard! All Aboard! All Aboard! All Aboard!

Put on your Sunday clothes there's lots of world out there
Put on your silk cravat and patent shoes
We're gonna find adventure in the evening air

[Dolly:]
To town we'll trot to a smokey spot
Where the girls are hot as a fuse!

[All:]
WOW

[All:]
Put on your silk high hat and at the turned up cuff
We'll wear a hand made gray suede buttoned glove

[Dolly:]
We wanna take New York by Storm!

[All:]
We'll join the Astors
At Tony Pastor's
And this I'm positive of
That we won't come home
No we won't come home
No we won't come home until we fall in love!

Well I'm sorry the video doesnt exactly like the lyrics ;(

Truman Capote's private, masked Black and White Ball

In the Plaza Hotel in NYC

Truman and Katherine Graham, the guest of honor at his Black and White Ball.

Candice Bergen


Penelope Tree


Marisa Berenson and escort
Frank Sinatra & Mia Farrow


Copyright © Henry Grossman.

DAVID BAILEY & PENELOPE TREE

To go from Jean Shrimpton to Catherine Deneuve is something. Most people would think you have some, let's say, secret talent.

Penelope Tree July 1967 (unpublished) © David Bailey (11 of 20)

BAILEY: I can tell you this: size doesn't count. It got better, too. There were a few in between, by the way. I remember Catherine saw some pictures of Penelope Tree by Avedon in American Vogue, and she said, "You're gonna run off with this woman." Which was odd because I didn't even know who Penelope Tree was.

But you did run off with Tree. And wasn't she 17 years old?

BAILEY: Well, I was only 30—or something like that. Yes, Penelope was 17, but mentally she was 35. I mean, Penelope was very grown up—really sophisticated.

Was she a similar kind of phenomenon as Twiggy?
BAILEY: Penelope was more than Twiggy. Twiggy was like the Monkees, the Beatles. Penelope kind of started all that "Flower Power." And she wore the shortest miniskirts I've ever seen.

Wasn't she aristocratic?

BAILEY: Yes, and she was a real rebel. But I didn't do such great pictures of Penelope. Somehow I couldn't. Avedon did great pictures of Penelope—really great pictures. But I guess Penelope's still my best friend, along with my wife and a couple of guys. I see her at least once a month.

How did you meet her?

BAILEY: Vogue called me up and said, "We're photographing this very aristocratic girl called Penelope Tree, and we don't want any of your nonsense." What a stupid thing to say. It was like a red rag to a bull. If they hadn't said anything, I might not have noticed. But because they said it I thought, "My God, now I'm really interested."

Was she as bright as they say?

BAILEY: Bright, bright, bright, bright. I think the first conversation we had was about T.S. Eliot. And it didn't stop for eight years.




What was it about her look that made her right for that time? Why did she hit the way she did?

BAILEY: In a way, Penelope was New York's revenge on London. It was sort of, "We can shock too." Vreeland discovered her at Truman Capote's Black-and-White ball. Actually, I think Guy Bourdin was the first one to take pictures of Penelope, then Avedon. And it went from there.

How happy were her parents to see you coming?

BAILEY: Her mother hated me. But her mother was a horrible woman. Marietta Tree, my God, what a bitch! She was a complete phony, a fake, a snob,... the worst!

Do you think that made you more attractive to Penelope?

BAILEY: I think she liked it that I didn't like her mother, in a funny sort of way, because I remember when I went to collect Penelope, her mother opened the door and said, "She's not going to London with you." And I said, "Oh, all right." Then I said, "You know, it could be worse; it could be a Rolling Stone." And she laughed. So we sort of had a standoff. Anyway, Penelope and I flew off to London, leaving tear-stained Marietta Tree on the doorstep of her mansion.